Films and British national identity

Films and British national identityJeffrey Richards is a regular radio and television commentator on popular culture. Covers the period from Ealing Studios to Dad's Army. A great read.

This book charts key aspects of the Anglo-Scottish experience down to the Restoration and greatly improves understanding of that complex and troubled relationship

unified by their explication of the key elements of the cultural history of the period 1510–80 the book unravels the political

artificial insemination by donor

This globetrotting filmmaker testifies to his six decades on the move through a passionate devotion to the moving image

which reveals significant aspects of poor law history which have been overlooked by scholars

Presents a provocative challenge to conventional wisdom about 1950s film and rediscovers the Festival of Britain decade

can only be understood through the past: Gaston Méliès’ New Zealand films of 1912

sexual theatricality and the refusal of theatricality altogether

with both digital and FM making significant use of new technologies

<i>The Incredulity of Father Brown</i> pulls no punches

with reference to Vladimir Nabokov’s hyperconscious literary art

Jobim's music made a lasting impression worldwide