Bringing Down the House

Bringing Down the HouseBetween 1979 and 1997, a quarter of Britains regional theaters closed their doors forever. Those that survived found themselves constantly on the brink, forced to radically reduce their programs and shut down for extended periods. Bringing Down the House examines how and why this crisis occurred, from the British governments scant regard for the arts after World War II to the onset of Thatcherism and its long lasting effects on the theater industry.

Through an innovative

Digital Visual Culture presents the latest research into the relationship between theory and practice across digital media and technology in the visual arts and investigates the challenges of contemporary research and art curation

alternative methodologies of kabbalah and halakhah provide postmodern methods for extending into digital age art forms

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it examines changing relationships and argues that ‘infotainment’ and satire are increasingly becoming significant methods of informing audiences about serious news issues

Attention is paid to the corpus of political documentaries made between 1968 to 1976

Providing a range of perspectives

Hellier-Tinoco proposes the concept of palimpsest bodies to interpret provocative theatre and performance experiments that explore issues of cultural memory

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Thus Melville is an especially apt subject for an exploration of modernity and representation that utilizes both the modern – i

practitioners and end users of fashion

sociology and media and cultural studies