William Morris and the Uses of Violence, 1856–1890

William Morris and the Uses of Violence, 1856–1890William Morris and the Uses of Violence, 18561890 offers a new and challenging reading of William Morriss work, focusing on his representations of violence and arguing that the idea of regenerative battle is central to his literary and political vision.

including contemporary Italian fashion identity

shows that the idea of European integration is far older than is often imagined

translation

this interdisciplinary volume will be of interest to scholars working in the arts as well as modern and postmodern cultural studies

Art History: A critical introduction to its methods provides a lively and stimulating introduction to methodological debates within art history

Moving beyond the oft-discussed perceptual elements of vision and hearing

Lisa Downing's comprehensive study of the films of Patrice Leconte traces lines of continuity and revision through a body of apparently disparate films whose "messages" often appear both contradictory and controversial

By looking core themes—globalization

One of two volumes of an early seventeenth century play

impartial carriers of truth and the archivist as a guardian of records has been questioned: how can society take greater control over its own written memory

The book argues that these themes are by nature entangled with the discourse of anti-Judaism

the construction sector is one of the biggest industries in the world